Mystery Jets have spent more than two decades evolving in plain sight. Across seven studio albums, they’ve shifted shape without ever losing the emotional clarity that anchors their music. A Hole To See The Sky Through feels like a continuation of that long, steady evolution — an album that looks back with tenderness while still reaching for something new.
The record opens with A Hole To See The Sky Through I before moving through Black Sage, Doomsday Waltz, Godrays, Flea Joint, Long Lonely Road, Soul River, Anaglypta, and finally A Hole To See The Sky Through II. It’s a tracklist that moves with intention, each song placed like a step in a longer emotional journey.
“Long Lonely Road” is one of the album’s most immediate standouts. It carries the soft ache of a 1960s ballad — that Unchained Melody kind of yearning that feels both familiar and cinematic. The song doesn’t reach for drama; instead, it lets emotion gather slowly, stretching out like a long walk home. It’s Mystery Jets at their most tender, leaning into nostalgia without ever becoming sentimental.
“Soul River” follows with one of the album’s most quietly affecting moments. Blaine Harrison’s vocals feel gentle and conversational, almost fragile in places, and the acoustic‑driven arrangement gives the song room to breathe. There’s a bittersweetness that recalls the slow ballads from Curve of the Earth, but here it feels lighter, more spacious — melancholy softened at the edges, human and beautifully restrained.
Elsewhere, the band stretches into more experimental territory. “Flea Joint” and “Anaglypta” both carry flashes of that Radiohead‑like journey — vocals that feel slightly untethered, structures that move forward rather than looping back. “Anaglypta,” the album’s most ambitious track, unfolds across nearly eight minutes and three distinct movements: cyclical keyboards and synths forming a hypnotic spine, shifting structures rising and falling like a tide, and emotional chapters that feel almost cinematic. It’s a song that feels built rather than written — architectural, immersive, and unmistakably Mystery Jets even as it pushes into new territory.
Across the album, you can trace a clear line from their earliest work to now. The emotional sincerity, the melodic curiosity, the willingness to wander — it’s all still there. But this record feels more reflective, more spacious, more grown. It’s the sound of a band comfortable enough to explore without losing themselves.
Threaded quietly through it all is something deeply human: Blaine Harrison writing songs with his dad. It’s a simple detail, but it adds a layer of warmth to the album — a reminder that music can be a lifelong bond, a shared memory, a way of holding onto something special.
There’s something magic about tour supports — that sweet spot where you catch a band on the rise, still hungry, still sharpening their craft, still earning every new fan. So when Dice announced their tour, we waited to see who they’d bring along. Then a name appeared that none of us had heard before: Ray and Paul, straight out of the US. James did his usual ritual — deep‑dive listening, instant obsession — but I went in cold. No prep, no expectations. And honestly, I’m glad I did, because what unfolded at The Baso was one of those rare support‑act moments where you realise you’re watching something special before anyone else knows their name. Ray and Paul walked onstage calm, tight, and clearly well‑rehearsed. Smooth players. Clean sound. Way too good to be the support act — the kind of surprise that lifts your whole day. And I needed that lift. Ray opened with a quick hello, then launched into a vocal tone that stopped the room. Warm, textured, unexpectedly powerful. Seconds ...
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